Gerald Butters is a historian of film specializing in the intersection of race and gender in motion pictures. A Fulbright scholar, Butters has lectured on film in Romania, Luxembourg, France and Canada and at many American universities. His books include Black Manhood on the Silent Screen, Banned in Kansas: Motion Picture Censorship, 1915–1966, and the upcoming From Sweetback to Superfly: Race and Film Audiences in Chicago's Loop. He is editor of an anthology on Blaxploitation films. Butters received his Phd in History from the University of Kansas.

Elzbieta Foeller-Pituch (Assistant Director, Chabraja Center for Historical Studies, Northwestern University) is a literary historian who has published articles on contemporary authors such as John Barth and John Gardner, on Henry James, and on the international aspect of American studies. Her current research focuses on the reception of classical antiquity in American culture, a topic that stems from her research during an American Council of Learned Societies fellowship at Harvard University. Her most recent publication is a chapter in American Women and Classical Myths, ed. Gregory Staley (Baylor UP, 2009) on Athena as a cultural icon in the United States. She is working on a book-length study of the enduring influence of Greek and Roman myths in American fiction and culture. Elzbieta teaches classes on 20th-century experimental East European and American fiction, global and American postmodern fiction, and American 19th-century literary culture. Foeller-Pituch earned her Phd at the University of Warsaw.

Dilip Gaonkar

Dilip Gaonkar

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Dilip Gaonkar is a professor of culture and communication and the director of the Center for Global Culture and Communication. He also directs the Center for Transcultural Studies, an independent scholarly research network concerned with global issues. Gaonkar has two sets of scholarly interests: the intellectual tradition of rhetoric with both its ancient roots and its contemporary mutations and global modernities and their impact on the political. He is currently the executive editor of the journal Public Culture, and he has written and lectured widely on rhetoric, globalization, democracy, and the media. In addition to his work for the Department of Communications Studies, Gaonkar also serves as an adjunct faculty member in the Department of African American studies, an affiliate faculty member in the graduate program in Screen Cultures in Asian Studies, and a senior affiliate fellow at the Center for the Study of Developing Societies in Delhi, India.

Jay Grossman

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Jay Grossman teaches and writes about eighteenth- and nineteenth-century American literature and culture, especially Emerson and Whitman, the history of the book, and the history of sexuality. He is the author of Reconstituting the American Renaissance: Emerson, Whitman, and the Politics of Representation, and co-editor of Breaking Bounds: Whitman and American Cultural Studies. A portion of his current work on the literary critic and political activist F. O. Matthiessen was published as "The Canon in the Closet: Matthiessen's Whitman, Whitman's Matthiessen" in American Literature; another, on the sexual and textual intersections between Whitman, Matthiessen, and T. S. Eliot, is forthcoming in a collection of essays from the Leaves of Grass 150th Anniversary Conference. Grossman received his PhD from the University of Pennsylvania.

Larry Murphy is emeritus professor of the History of Christianity at the Garrett-Evangelical Theological Seminary, on the Evanston campus of Northwestern University. His research and publications have focused upon various dimensions of African American religious history, leadership, and devotional practices. They include, among others, Sojourner Truth: A Biography, African American Faith in America, Down by the Riverside: Readings in African American Religion, (with Gordon Melton and Gary Ward) The Encyclopedia of African American Religions, and “Piety and Liberation: An Historical Exploration of African American Religion and Social Justice,” in Iva E. Carruthers,, eds., Blow the Trumpet in Zion. He served as Director of PhD Studies at Garrett-Evangelical; as an historical consultant to the Blackside, Inc., multimedia project “This Far By Faith,” a six-part television series on the role of the black church and other African American faith communities in American history; as historical consultant, script consultant, and on the production team for the video “Where Everyday Is Sunday,” on the history and social witness of African American Churches in Chicago; and in his work as oral historian of African American religion, he and his research team have amassed an extensive collection of audio and videotape material, along with supportive documents and photographs. He is a long-standing member of the Executive Committee of the Society for the Study of Black Religion, an international organization of scholars and researchers. He received his PhD from the Graduate Theological Union/University of California, Berkeley.

My work centers on aesthetics and political affect. Specifically, I look at how, at the macro level, the moving-image work is expressive of larger social and economic shifts, while at the micro level, it registers and calibrates our affective relationship to everyday life. The moving-image objects I study range from postwar and contemporary art cinemas, to postwar auteurs, to contemporary television. In my first book, The Cinema of Economic Miracles, I proposed a new way of looking at the Italian art cinema of the 1960s, in light of both the profound spatial changes wrought by the economic miracle and the emergence of new social subjects. In ‘Breaking Bad’ and Cinematic Television, I perform a granular analysis of the series’ visual style in order to explore the ways in which it opens up to an allegorical examination of everyday life in neoliberal America. In the early 2000’s, I coauthored, with Richard Cante, a series of essays on gay pornography, which used the films to track the evolution of the post-Stonewall gay male subject in the wake of urban decay and renewal, globalization, and the rise of neoliberalism. Currently I’m beginning to explore the video essay (as critical intervention): I’ve just completed my first video essays, one of which is an accompaniment to my book on Breaking Bad.

Domietta Torlasco works at the intersection of film theory and practice. After receiving a PhD from the department of Rhetoric and Film Studies at Berkeley, she completed an MFA in Film, Video, and New Media at the School of the Art Institute of Chicago. From 2003 to 2007 she was a Harper-Schmidt Fellow and a Collegiate Assistant Professor in the Humanities at the University of Chicago.

Torlasco’s research and teaching interests include critical theory, psychoanalysis, and feminist theory, as well as Italian and French cinema, the SF and noir genres, and time-based media arts. She is the author of three books: The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film (Stanford University Press, 2008), The Heretical Archive: Digital Memory at the End of Film (University of Minnesota Press, 2013), and The Rhythm of Images: Cinema Beyond Measure (University of Minnesota Press, 2021). Her video essays, which explore questions of domestic labor, borders, surveillance, and debt, have screened at national and international venues, including the Galerie Campagne Première in Berlin, the Walker Art Center in Minneapolis, and the Museum of Contemporary Art in Los Angeles.

Ivy Wilson teaches courses on the comparative literatures of the black diaspora and U.S. literary studies with a particular emphasis on African American culture. His forthcoming book, Specters of Democracy: Blackness and the Aesthetics of Nationalism (Oxford UP), interrogates how the figurations and tropes of blackness were used to produce the social equations that regulated the cultural meanings of U.S. citizenship and traces how African American intellectuals manipulated the field of aesthetics as a means to enter into political discourse about the forms of subjectivity and national belonging. Along with recent articles in ESQ, Arizona Quarterly, and PMLA, his other work in U.S. literary studies includes two forthcoming edited books on the nineteenth-century poets James Monroe Whitfield and Albery Allson Whitman. His current research interests focus on the solubility of nationalism in relationship to theories of the diaspora, global economies of culture, and circuits of the super-national and sub-national. Wilson has a Phd in african american studies and english from Yale University.

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