Gerald Butters is a historian of film specializing in the intersection of race and gender in motion pictures. A Fulbright scholar, Butters has lectured on film in Romania, Luxembourg, France and Canada and at many American universities. His books include Black Manhood on the Silent Screen, Banned in Kansas: Motion Picture Censorship, 1915–1966, and the upcoming From Sweetback to Superfly: Race and Film Audiences in Chicago's Loop. He is editor of an anthology on Blaxploitation films. Butters received his Phd in History from the University of Kansas.

Larry Murphy is emeritus professor of the History of Christianity at the Garrett-Evangelical Theological Seminary, on the Evanston campus of Northwestern University. His research and publications have focused upon various dimensions of African American religious history, leadership, and devotional practices. They include, among others, Sojourner Truth: A Biography, African American Faith in America, Down by the Riverside: Readings in African American Religion, (with Gordon Melton and Gary Ward) The Encyclopedia of African American Religions, and “Piety and Liberation: An Historical Exploration of African American Religion and Social Justice,” in Iva E. Carruthers,, eds., Blow the Trumpet in Zion. He served as Director of PhD Studies at Garrett-Evangelical; as an historical consultant to the Blackside, Inc., multimedia project “This Far By Faith,” a six-part television series on the role of the black church and other African American faith communities in American history; as historical consultant, script consultant, and on the production team for the video “Where Everyday Is Sunday,” on the history and social witness of African American Churches in Chicago; and in his work as oral historian of African American religion, he and his research team have amassed an extensive collection of audio and videotape material, along with supportive documents and photographs. He is a long-standing member of the Executive Committee of the Society for the Study of Black Religion, an international organization of scholars and researchers. He received his PhD from the Graduate Theological Union/University of California, Berkeley.

Domietta Torlasco works at the intersection of film theory and practice. After receiving a PhD from the department of Rhetoric and Film Studies at Berkeley, she completed an MFA in Film, Video, and New Media at the School of the Art Institute of Chicago. From 2003 to 2007 she was a Harper-Schmidt Fellow and a Collegiate Assistant Professor in the Humanities at the University of Chicago.

Torlasco’s research and teaching interests include critical theory, psychoanalysis, and feminist theory, as well as Italian and French cinema, the SF and noir genres, and time-based media arts. She is the author of three books: The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film (Stanford University Press, 2008), The Heretical Archive: Digital Memory at the End of Film (University of Minnesota Press, 2013), and The Rhythm of Images: Cinema Beyond Measure (University of Minnesota Press, 2021). Her video essays, which explore questions of domestic labor, borders, surveillance, and debt, have screened at national and international venues, including the Galerie Campagne Première in Berlin, the Walker Art Center in Minneapolis, and the Museum of Contemporary Art in Los Angeles.

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