Program Courses
Please note that course schedules may be amended due to low enrollment, faculty availability, and/or other factors.
Online Sync Sessions are an integral part of the online learning experience. Additional information about learning concepts and assignments may be discussed and sync sessions offer valuable opportunities for students to interact with their faculty and peers during the term. We encourage all students to attend live, but if they are unable to, sync sessions will be recorded and posted within Canvas to allow for an asynchronous model of success as well.
LIT 480-0 : Postmodern Film
Description
This course will explore the place of film in postmodern culture. We will examine how the aesthetic and narrative forms of film have been reinvented by postmodern film makers, as well as the ways in which the most important of these recent films have (from a variety of ideological and aesthetic perspectives) contested the dominant culture of postmodernity. The course will begin by providing the conceptual and historical background for an understanding of postmodernism, through an analysis of a number of key films of the ’60s and ‘70s. Some of the interrelated themes of these films (including works by such directors as Jean-Luc Godard, Robert Altman, Jacques Tati, Ridley Scott, and Chris Marker) are the new experiences of urban space characteristic of postmodern culture; the new cultural forms associated with the triumph of consumerism; and the emergence of a new global culture of the image. We will then explore a number of problems central to current debates about the nature and limits of postmodernism—such as the place of dystopian and utopian fantasy in postmodernity; the possibilities of and alternatives to realist representation of postmodern experience; the representation of new forms of sexual and ethnic identity and the intertwining individual and collective histories in an age of globalization—through discussions of cinematic works by directors from Europe, the Americas, Africa and Asia, including such film makers as Alain Resnais, Gianni Amelio, Patricio Guzmàn, Quentin Tarantino, Stanley Kubrick, David Cronenberg, Jim Jarmusch, Abderrahmane Sissako, Agnès Varda, Todd Haynes, Djibril Diop Mambéty, Quentin Tarantino, Raoul Ruiz and Tsai Ming-Liang. (This course may count towards the Film, Literature, and Visual Culture, Comparative and World Literature, or Interdisciplinary Studies specializations in the master of arts in literature and advanced graduate study certificate programs. This course may also count towards the Interdisciplinary Studies specialization in the master of arts in liberal studies and advanced graduate study certificate programs. NOTE: This course will be taught remotely on Zoom each week during the time designated.)